An interesting thought, a video to go with the painting

The way we communicate is changing rapidly and more about video content than written words. Even Instagram is filled with short clips. I would like to have a interactive virtual gallery to show my work that does not look fake and most do right now. However, another option is doable. I think if an artist were to do a video showing the creation of the painting and finally display the painting in a proper setting will rule if you can get through the learning curve. If real adventurous it could be like a documentary. Wouldn't it be great if a collector also had the video story to go with their favorite painting?

Well that idea was hatched up a few months ago and still not quite there. Starting from scratch it is complicated! There is a significant amount of information on U-tube to help anyone along.... and overwhelm you with information at the sometime. The silver-lining, if you are persistent eventually the video and film buzz words begin to make sense. So far I made half-a-dozen videos or so using various programs and cameras. Every step required additional equipment that also needed additional parts to get it working. Amazon was at our doorstep daily.

Splendor, on the beach

Splendor 20x24 oil on linen (6/14/20 canvas 1341)

After some silly missteps, like forgetting to turn on the camera resulting in missing sequence clips. I managed to narrow the equipment down to the I-phone paired with an Idiskk (128g) enhance external storage and a simple blue-tooth remote.

Film editing was the most tedious part of the learning curve. Adobe Premier Pro is where I started by any measure the industry standard. After months of ups and downs discovered Adobe Premier Rush, a simpler version.... and life is better. The cool thing, when watching a movie and seeing those neat special effects, I know how it was done. However, getting the external mic to work with my I-phone still eludes me.... more equipment for sure.

Time-laps is my favorite, where the video races through very quickly to a conclusion. There are several ways to do it. The phone as an option on the menu bar or in a video editing program like Adobe Premier Rush. A one-hour video can be reduced to 6 or 7-minutes without serious editing. I-phone will do it by a simple choice on the menu bar.... a perfect option for short clips on Instagram. Not tried it yet.

Because of all this research I also accumulated a pile of 20x24 test paintings with some ugly videos over the last few months. In the process of salvaging some of the videos using the time-lapse option to post on U-tube as a first step. Nothing fancy but you must start somewhere.

Fast and Furious

Before uploading I spent the day looking at U-tube tutorials which helped. A bit easier than I thought, and they have FREE music I can use in my videos....duh! I used Envato, a paid subscription for the sound track.

More to come!

SIPSwimming-in-Paint

Artist organizations, Art as a Competative Sport & Validation!!

One of my power points was to join artist organizations and become involved.

Early 2009 I looked for a local en Plein air group, but at that point Richmond didn't have one or one I could locate. It would come much later in 2010 (they found me via OPA). I did find several online en Plein Air blogs, such as Southern Plein Air Painters which I readily joined. I soon started posting my en Plein air paintings and writing brief descriptions every few days. I still post all my en Plein Air paintings and occasionally sell one. It allowed me to see what others were doing and it led to other links. It also put me on Google search engines...very cool.

Websites

While surfing I came across a few artists web sites and those led to others, but the first one that caught my interest was one a en Plein Air painter who had a rather smart looking site, it included a link to Fine Art Studio Online. Good timing, I needed a web site as one of my first year goals and FASO fit the bill. FASO was very inexpensive, user friendly, newsletters, contests, hundreds of artist
world wide - quite complete. I've been with FASO for several years it now has a significant membership. Great break material, I could look at the best of breed and see what they were doing and compare my art against theirs. I could see my short comings and would go back and work on it until I was happy....eventually I could see snippets of their short comings........PROGRESS!!!

Competitive sport

I started entering the FASO Bold brush monthly painting completion. Before this, I never looked at art as a competitive sport, but when you think about it, it clearly is!! You do plan and you do scheme for position, you do ask yourself "why did this painting get picked over mine"? Better yet when you do get picked - Wow!...I got their attention!! I must be doing something right. It's all about validation! I found solid feedback to be the hardest part of painting to find. I never knew if I was on the right track or not. As a designer I knew what worked on a wall, but as a painter I needed outside validation. The monthly contest was invaluable in this way to my growth and maturity as an oil painter - my bar was continuous raised and will continue to do so.

Juried shows

Soon after I started with FASO I noticed different shows and organization the top players belonged to and again got in the game. Mid 2009 the first major organization I joined was Oil Painters of America (2-annual events). I entered the 2009 Eastern exhibit and accepted!!....I was stunned...that was a good day!!

FIRST VALIDATION

#126 Richmond - Libby Terrace Sunset 18x24 Oil on linen panel completed Alla prima 8/4/2009

The evening before, I was painting en Plein Air the sunset at Libby Terrace. I completed (2) 8x10 panels and shot maybe a 100 photos. I used the photos, studies and my fresh memory painting Libby Terrace in my studio the next morning.