Curves and counter curves

When I start a new canvas, there is a concept of probable mood in place, not always represented in my main reference. In this case on target. 

Maymont 3/26/11 (ref. 1323)

 

I always saw this as a very large canvas but never got around to it. Winter Koi (below) could be a sampler to the main course.

 

WINTER KOI 44x50 oil on linen (3-14-20)

 Compositional Movement

The challenge with this painting was adding Koi to a good background composition and keeping it on the pastel side in the process. When developing a composition, I use counter curves transcending a background, my norm. I also use colour, light and shadow as a tool to reinforce flow or rhythm lines leading the eye throughout a painting too. I like formal and asymmetrical arrangements.... often mixed.    

Background movements, yellow line (2), join various tree reflections into a pleasing composition reasonably true to my reference, a formal "V". Not much to do other than follow my reference and add Koi, red and yellow dotted line (1).  There is one separate counter movement, red line (3). A pair of Koi joins up and crosses background movement (1). A deliberate placement to reverse and break yellow line to upper right reflection.

Notice, no straight lines, but graceful curves leading the viewer throughout the painting. I also like to take movement curves in and out of a canvas.

The Background forms a strong red "V"and  Koi a strong upside-down yellow "V". It keeps you in the box (perimeters of the canvas). I prefer curves. And, when it feels right extending those outside my canvas leading the eye out and back in when developing a composition.

Enjoy your day, swimming-in-paint!

SIPSwimming-in-Paint