STUDIO CONCEPT
First, I need to break the colour code......in other words, I need to get comfortable painting in these subtle shades and get that glow too. So I need to figure it out!
EXAMPLES
MY REFERENCE GUIDE for 1033
Plein air day at Virginia Beach around 7:00am
The morning beach sun is doing that thing it often does through the distant cloud bank when it peeks through and hits the water causing hot spots and sparkle. In this case, throwing in some distant showers that eventually cleared the beaches for a few hours.
My first task will be developing some colour chips. I know from past experience this might take some time and several paintings. I keep a chronological record of my paintings. Sometimes its fun looking at the timeline because it can indicate how long an idea could have been bouncing around.
CANVAS 1033 - 30x30 linen
Day two - Distance shot shows the right horizon is riding low. Nice to keep a level close at hand when doing these things.
COMPLETED CANVAS
Morning Sparkle 30x30 oil on linen (4-9-16 canvas 1033)
PLEIN AIR COLOUR CHIP
I'll continue working on the concept at my Sunday studio playtime at Crossroads noon to 3:00 +
Morning Sparkle 30x30 oil on linen (4-9-16 canvas 1033)
In a frame this will shine well enough. Aside from the expressive brushwork, from a distance the painting looks
very much like the original reference below - oddly including the colouring.
1033 and 1032 side by side on drying shelf
Virginia Beach around 7:00am
Coincidentally I found this little 11x14 Plein air colour chip
from the same day and time stowed away (totally forgot). It even has
the horizon hot spot to the left.
A Day at the Beach 11x14 oil on linen (7-13-13 canvas 843)
I'll continue working on the concept at my Sunday studio playtime at Crossroads noon to 3:00 +
If you get a chance drop by and say hello:=)
No comments:
Post a Comment